Black sky begins to break, fading into a soft white bluishness. All is still, witnessing in each other the daybreak. A gushing of joy silently takes over.
Fresh piercing air, like a giant wave, bathes us in one go. It is everywhere, not word-heavy, yet firmly present. Those who matches its ferocious calmness and coolness, live a long life.
Then a bold crimson red is poured at the rim horizon, complementing the darkness before devouring it fully as the red yawns and stretches into golden orange, sprinkling, spreading throughout, directionless, embracing every nook and cranny warmly.
The dusk sings and sleeps, the dawn rises and sings. And the birds and rivers sing along.
It may appear like an orderly routine, but it is truly a disorderly dance of colours, a splash of melody, fresh and wet, a sweet yet melancholic search at first, but actually a thought-free light oneness.
Nature too believes in this mantra. [Source – Pixabay]
शुभस्य शीघ्रम अशुभस्य कालहरणम।
Shubhasya shighram, ashubhasya kaalharnam.
Translation – Do not delay when planning to do something good, but when inclining towards the opposite, think twice.
Contemplation is good and needed. Action is better and a must.
Plans in a potli-mind take time to come out, yes, for they are grand ones, created meticulously, weaved with love.
Inspired thoughts build this glass minar with intricate designs, colours of hope and success and appreciation and a little bit of all that is magical in this universe. We fly high when planning in a potli-mind.
Now how to fabricate such a tall glass minar in reality? Where to start from? How do we know if the time is right?
And what about all the ‘ifs’ and ‘buts’? Oh, and our dominating ‘know-it-all self’ that loves to put a stamp on every new thought, issuing summons, calling the poor thought a fraud, out-of-our-league or an impossibility, come what may?
Or worse, comparing it with the giant called the OTHERS?
Maybe this is the moment to tell yourself, shubhasya shighram, why wait to do something good.
Maybe this is the time to take the first step towards that glass minar, an overwhelming act it may feel at the beginning, but by the end, whatever the result is, we get enriched, we understand the rotating world and our bumbling selves a little better.
What a brilliant mantra then, a pocket sized mantra!
So, my friend, go ahead with that plan… because shubhasya shighram, shighram shighram.
Gabbeh. [Source – mk2films]Readying the carpets. [Source – mk2films]
Let the colours dry, and you,
Who has been waiting, yes you,
Gabbeh, smile, for I will come
Riding my horse, I will come,
To steal the decorated rug
With you inside,
At last, I will make you mine.
*
Gabbeh, the 1996 film, is a simple tale of a gipsy girl, her clan and the way their life goes on.
Unfolding beautifully just like an artist painting a canvas, Gabbeh quietly touches the grand questions.
What is the purpose of existence, what is this feeling of love, what makes colours so harmonious, so arresting?
The complexities, the insatiable desires, the mind games, what helps and what hinders, how do we know?
What is to be said, heard and done before death?
The film weaves a beautiful pattern of such thoughts, but subtly, charmingly that one gets truly absorbed in the flow of the story and does not feel staggered or burdened at all.
The story is exceptionally close to reality even though the style of its narration is truly poetic. It is simple and complex, romantic and mystifying, colourful and rough, complete and incomplete.
Presenting life from a woman’s point of view, talking about the role of a woman in a family, sharing her aspirations and wishes with us, the entire story thus, inherently is full of warmth, colour and calmness, making the love palpable for the viewer.
The best way to describe Gabbeh would be to call it a dream. It is a folk tale, a myth and yet an unembellished raw saga; hazy, vibrant, unreal and real at the same time.
Gabbeh is an experience, a dream that you must see one day.
Written and Directed by – Mohsen Makhmalbaf, Gabbeh – Shaghayeh Djodat, Music by – Hossein Alizadeh, Cinematography – Mahmoud Kalari, Edited by – Mohsen Makhmalbaf, Language – Persian.
The dark old lady walks like lightening devouring the night sky, she is swift, she is fast. Her dusty feet, darker than the broken black slippers, know exactly where it is to lead and where it is to stop. Draped in a saree lungi style, her slender figure boasts of agility and strength.
Amma, it is a cold tonight, and she covers her head, her ears with a towel. Does she look funny? Not at all, she looks as beautiful as that flower kept in that book. That flower, dark coloured, tells a story, pressed and noted neatly in that book, stored for a chance meeting.
Amma what time is it, nine thirty she says and at ten she has to go to a flat and clean the dishes, clear the kitchen counter, set the culinary world in order; often Amma plays music and her dear plates, cups and spoons dance on her tune. Amma beams then like she is beaming now – Amma’s toothless smile.
On her way back home, at night, embracing the darkness Amma moves briskly, but stops in front of a small house and asks Sunita bahin if she can get a water-can and take some fresh water; yes, at Amma’s place you won’t see a water-tap rather there are colourful canisters lined up – yellow, blue, faded red and dirty white.
Amma is stylish, her dark self knows what colours to wear – white and orange and green, mixture of all these and add some flowery designs, this completes her look. Do you also wear the colours of the road, the trees, the dark sky Amma? For you look as quiet and great as them.
And your eyes, that glance, killer! Amma your eyes are sharp, your eyes smile – your eyes are familiar with Time and that’s why you don’t mind, you don’t curse it, you don’t cherish it; you know how to live it. Whatever it may be, a raging tempest or a happy carnival or a visit to the temple, you get up the next day and leave for work on time.
I wonder if you have not spoken with everyone until now. Because you are alive, you know Time, you know the society, you know poverty and you smile with your eyes.
Amma cheers to your journey. The dark old lady waved a goodbye.
Eyes could see that the mind was dreaming, yet it stayed attuned. The soft, glowing place might be the reason. And colours, crayon colours, water colours flowing smoothly. Glory ruled the place.
Such were the wonderfully true sights that my eyes beamed with pleasure. I then was beyond time and space, happy in the present.
Breathing deeply, quietly, I knew it all and I knew nothing. Bliss!
I woke up and with a quick, strong rush, lively sounds reached me all at once. It was time to live another true dream… it was time to be.
Amongst the clouds… yes, this is how the journey began. Mushy clouds, mushy dreamy clouds all around her. Whether she walked or the white dreams floated around her isn’t something the music ever revealed.
The music was busy playing and she was busy colouring. The sky and earth colours participated and turned rich.
Meanwhile, in a parallel universe, someone took a flight, landed, took a cab, halted for a coffee break, laughed with her friend and continued the road trip.
Warm waves of velvety starry blanket covered the existence and hushed those who listened to the happy silence. She stayed awake for a while just to witness it all. A simple melodious note filled her ears and she swam to sleep.
That someone talked to her friend, they ate pastries and called it a day. That someone, with ‘oh’ look, got up to brush her teeth and then went to bed. Phew!
She opened her eyes, awakened the self and stepped out to see the end of a long search. Birds and buds, earth’s aroma and touch, giant trees’ humble smiles, the sun’s vocals and the wind’s compositions, other human beings, all dancing, and of course, the bicycles… everything she laid her eyes on glanced back at her, welcomed and sang to her.
*
In Auroville, in a blissful place. [Images by Jagriti Rumi]
*
Tring, tring… tring, tring, she replied to them. Crossed leg sitting inside an apple she relished it, sweet, sour, juicy and fresh. When she jumped outside, she gave the left-over bit to a dog. Questioning her about nothing, the dog finished the apple.
Tring, tring… she went ahead and met a mathematician’s spirit, who gave her the map that took her to the grand golden lotus with twelve petals. Its beauty struck her hard and she kept standing there for ages in admiration.
Primary and secondary colours, in circles, pyramids and cylindrical shapes all passed by her. She blinked and found herself inside the grand golden lotus.
*
The grand golden lotus! Matrimandir, Auroville. [Image by Peter Anta from Pixabay]
*
Earth, Fire, Wind and Water were there, she saw it, just a glimpse, but they were there in absoluteness. She blinked and she was back outside. Oh! The joy!
She danced all her way, lal-lal-lal-laaa, rotated and laughed, climbed the musical rainbow and listened to what the colours were playing and then surprised herself with her quiet self, quiet but not low, because her eyes were beaming and her soul still dancing.
By the hourglass the journey continued for that someone and her friend, click-click-click, pictures taken, tring-tring-tring on the cycle path, resting, eating and laughing.
That someone’s friend like a darling blue bird sang and danced… unable to resist she also joined her friend. Together they collected memories and both filled their hourglass with it.
Smart! Now time reminds them of those memories all the time.
*
Auroville… the journey, the destination. [Source – eco-villages.eu]
O journey, when did you start and when will you end?
O journey, can I stop and meet my friend?
The beginning is hazy, but true and the end will be a new beginning for you.
Don’t stop if you want to meet your friend, for she is on a journey too.
All I could see was a few small trees and one big grey building. Shades of black, patches of dirt… the peeled paint made it look more like a sketch of a building…
A sketch of an old building that has seen eras pass by.
An era that changes almost nothing, but still does. Change that life awaits. Life that holds colours. Colours combine to form black, if it’s light they combine to form white.
Remember the prism experiment? Black and white…and grey. Grey characters say a lot. A grey building says a lot.
Endless footprints following footprints/
When suddenly a few of them rise/
To bloom like a flower.
Greetings!
A storyteller, following the ancient tradition of cave chroniclers, standing in vrikshasana (the tree pose) on a hill top (it is sunny, but windy), breathing in and out stories (relishing it all, but at times overwhelmed), declares animatedly that she will continue to – tell stories, share rare story gems, and connect with the pacy universe while also keeping the website ad-free.
Big thanks to my readers. Stay tuned!
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Ya-hoy!
Chiming Stories (formerly Home Chimes)
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Gabbeh, the 1996 film, is a simple tale of a gipsy girl, her clan and the way their life goes on. Unfolding beautifully just like an artist painting a canvas, Gabbeh quietly touches the grand questions.
Ranked as one of the greatest British films of all time, The Lavender Hill Mob confides in the audience, letting them see, feel, laugh and think without tickling persuasively with a joke here and a punch-line there.
Godard… Breathless and Alive
A Tribute to Jean-Luc Godard, the Film Philologist who Reinvented Cinema.
Yes fly! For walking on the second track is dull and usual, but dreaming high, high, high requires tools. Tools like the right pair of shoes, a chirpy, gritty soul that eats butter-jam dreams, a soul that drinks milky-milky creams.
Silver cascade shimmering the night sky, music to the waves and surreal beauty to the eyes, the Moon loves the art of discipline.
It may be difficult to believe for the Moon’s splendour defies time, it stupefies the clock, it follows the path of a dreamer, but how could this be possible if the Moon knew not discipline?
In this moment, I am a little bit of this and a little bit of that, I am complete and incomplete, I am pleased and uncertain, I wish for nothing and I know I have to wait.
Because the distance covered reminds me of the hurdles I have crossed and the ones I could not, it reminds me of a throbbing past and a dreamy future and it reminds me of how much time is left.
Meredith and the Green Lake
Illimitable Splendour
A joy so complete without any rise or fall, so free without any time corners, so real without true being false, false being true.
