Flowers

Jasmine-Rich Raga

Coverage

White Jasmines.
[Image from Pixabay]

Like flowers threaded to form a sheet, woven intricately, the free white petals settling in a designed pattern, accepting the arrangement with joy, like an endless beaded wave of fragrant flower-colours, the ragas also weave intricately musical framework that evokes fragrant feelings in a quiet listener’s mind.

Just like the perfection-loving flowers – the humble sepal, the vibrant petal, the ambitious anther – the ragas too know how to bloom to perfection. Capturing the exact mood that exudes the season’s essence perfectly, the ragas effortlessly scent time making it beautifully appreciable.

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The scented time celebrates the raga – in Vilambit laya (slow tempo), Madhya laya (medium tempo), Drut laya (fast tempo) – accepting every melodic improvisation, evolving with each performance, never bothering with change, rather ushering it with consistent Riyaz (practice).

Overwhelming calculations keep the ragas free from vegetating and from the burden of the past that at times tries to confine its spirit, but almost always the spirit remembers to break free.

The many notations, the Swara, bring forth incessant improvisations, giving space to every emotional twist, forming an intricate, fragrant Mandala.

The ragas symbolise, like a flower threaded sheet, intricacies of life… and more.


Lat uljhi suljha ja balam

Piya more haath mein mehndi lagi hai

Lat uljhi suljha ja balam

Mathe ki bindiya bikhar rahi hai

Apne hi haath laga ja balam

Lat uljhi suljha ja balam

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(Translation – Disentangle my hair, dear beloved/ I have applied henna on my hands/ So come and disentangle my hair, dear beloved/ The bindiya too is spreading on my forehead/ Correct it for me with your own hands, dear beloved/ Disentangle my hair, dear beloved)

This Bandish* in raga Bihag decorates time with a jasmine-rich fragrant emotion that vehemently values love and life.


*Bindiya – a colourful dot mark worn between the eyebrows, especially by married Hindu women.

*Bandish – a composition in Hindustani classical music.


Listen to a melodious version of this bandish now.

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A shorter version.

Complement this with another melodious post – Amir Khusrau and the Mustard Flowers


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Together We Enjoy Enjaami

Prose Poem

Kindly listen to the track before you start reading.

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Unabashedly bold and free, vivacious and ebullient, adamant like the silent stone, transforming every micro-second, Nature rules… and the ones living close to it celebrate and sing, enjaaee enjaami

Flowers shining bright, the rich yellow, orange, mahogany, red and white, the bugs, caterpillars and flies, the upside-down dancing struggling beetles, the sun-soaked green leaves, together – even when captured in a glorious painting – sing enjaaee enjaami…

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Rich yellow… shining bright.
[Image by AdelinaZw from Pixabay]

Whose is this land, this divided piece, this circled boundary, that 12 acres, that mango orchid, that dry-wet soil, that cool-cool well, that fragrance casting spell… certainly it doesn’t belong to the ones who toil round-the-clock and sing, enjaaee enjaami…

Festivities when unearthed by bare hands, the swaying harvest and booming lives of the lords, shacky mud-roofed huts full of laughs and cries… all sing enjaaee enjaami…

Grandmas and old voices together have knitted the folktales, passing it with pickles and homemade sweets, carrying it closer than a life lesson, breathing it day and night, walking and singing enjaaee enjaami…

Like a tree, like a giant tree, full of flowers, then fruits and seeds, then sweat and blood, patiently bowing, accepting it all… walks an old bent figure, bare feet, singing enjaaee enjaami…

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Turn around, don’t flee…
[Image by Couleur from Pixabay]

Jackals, parrots, elephants, reptiles, dogs, cats, butterflies… give their share back, turn around, don’t flee… those sitting on margins know Noah and the King, then who will ultimately sink? I sing enjaaee enjaami…

The fiery soul that burns itself, weeding the flower bed and burning the dead, it runs the life, it spins the earth, decorating the darkness, breathing lightly it sings enjaaee enjaami…

So how can you forget, threaten, betray, walk astray…? Come, not in repentance but acceptance for then your blinded eyes will see the majestic drama, lament if you must, cry and shed it before you sing enjaaee enjaamee…

So listen, listen to the storyteller, the old voice-heart beats well, this beat matches your beat and look, your mind watches you sing enjaaee enjaami…


Enjoy/ Enjaaee (my dear mother/ dear lady) Enjaami (my feudal lord, master) Vango Vango Onnagi (come together to reap the bounty of nature).

This wonderfully powerful Tamil song is sung by Dhee and rapper Arivu (who has also written it); the song revolves around Tamil migrants (and labourers and all our ancestors) who toiled on lands but always remained landless and suffered due to poverty; the song emphasises on how the earth, the nature is for all living beings and not for the wealthy class/ caste.

This thought-provoking, globally popular number, asks us blatantly to check if we are hurrying in the right direction.


Decode Enjoy Enjaami, read these articles –

What Arivu’s Enjoy Enjaami Tells Us About the Cultural Resistance to Caste

Enjoy Enjaami a tribute to Tamil plantation labour

Enjoy Enjaami – A welcome start, say Sri Lanka’s Malaiyaha Tamils

Enjoy Enjaami: Deconstructing the Politics Behind Arivu and Dhee’s Latest


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Nazo’s Simple Magic Trick

Flash Fiction

Nazo, busy reading the flowers (she loved this exercise, it made her “fuller”, that is what she said).
[Source – Pixabay]

Nazo believed in magic. While the stories about djinns and fairies and magic potions made her wonder, the everyday sundry experiences also left her mesmerized. She was a simple person who felt special about simple things like the sun peeping out from behind the dark rainy clouds.

I told her once a sad story, intentionally, I wanted her to cry. It was a made-up tale about a little dog that lost its way home and died of starvation. Before I could make it sound more pathetic, I saw tears in Nazo’s eyes. Mission accomplished, thought I, until Nazo did something magical.  

She asked me about the dog and I fabricated the cute brown dog, with black ears and kohl eyes. Suddenly, Nazo jumped up and started clapping. She told me to follow her and we both ran down to old Mr Tolkien’s house. What I saw there was as mysterious and as astonishing as a miracle.

Nazo went ahead right into Mr Tolkien’s garden and brought a cute brown dog in her arms, it had black coloured ears and kohl eyes. She announced that Mr Tolkien found the starved dog yesterday near the abandoned park and brought him home.  

While coming back, I, filled with a concoction of emotions (specifically foolishness), told Nazo the truth; that it was a fake story and I meant only to make her cry because of her utter belief in magic in life suffocated me. Nazo laughed at me and didn’t say a word. She then hugged me, if I remember correctly.  

After a few days, Nazo gave me a card (she loved making cards), a lovely one with colourful flowers and bright butterflies. She had written a few lines inside, apart from wishing me a happy day, that I can never forget; it read, “Magic is real for me, maybe because I try to see things from the earth’s point of view – a beautiful blue-green lonely planet – something magical is happening for sure”.  

Since then, I too have started to believe in magic.


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Carved and Alive

Meditating in permanence.
Image by Jagriti Rumi.

Centuries have passed and I have witnessed it elegantly, quietly.

Countless diyas have washed my feet and brightened my space. The lanterns took my shadow along and I crossed the steps to reach the temple.

I have enjoyed my permanence. I have blessed them all.  

The sound stays forever and if you try to hear honestly, I have so many stories to tell. The echoes are playful and I vouch for this fact.  

But there is nothing like the music of the bells. The small bells try, always, to tune with the bigger ones. Every time the result is harmonious.  

I like flowers, both fresh and old. The fresh ones are fragrant and the old ones make a wonderful husky sound. And I collect sound.

All kinds of prayers, musical, non-musical, the chants, the whispered wishes and loud blessings are there in my collection.  

I am different from the ones who come to see me here. They are opposite to what I am. I stay still and collect sound. I was made to meditate. While they can move all around and express. It must be their way of meditating.    

She comes here a lot. Somehow, I can see a resemblance between this lady and me. She is mostly as quiet as I am, she reads a lot, maybe she collects through her eyes.

She is the one here who can listen to my collection, my stories. But maybe not now, she is busy collecting.

I’ll wait, nevertheless, and collect the sound of ruffles when she turns the paper.

The rock-cut cave temple, Pataleshwar, in Pune.
Image by Jagriti Rumi.

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