Raga

Jasmine-Rich Raga

Coverage

White Jasmines.
[Image from Pixabay]

Like flowers threaded to form a sheet, woven intricately, the free white petals settling in a designed pattern, accepting the arrangement with joy, like an endless beaded wave of fragrant flower-colours, the ragas also weave intricately musical framework that evokes fragrant feelings in a quiet listener’s mind.

Just like the perfection-loving flowers – the humble sepal, the vibrant petal, the ambitious anther – the ragas too know how to bloom to perfection. Capturing the exact mood that exudes the season’s essence perfectly, the ragas effortlessly scent time making it beautifully appreciable.

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The scented time celebrates the raga – in Vilambit laya (slow tempo), Madhya laya (medium tempo), Drut laya (fast tempo) – accepting every melodic improvisation, evolving with each performance, never bothering with change, rather ushering it with consistent Riyaz (practice).

Overwhelming calculations keep the ragas free from vegetating and from the burden of the past that at times tries to confine its spirit, but almost always the spirit remembers to break free.

The many notations, the Swara, bring forth incessant improvisations, giving space to every emotional twist, forming an intricate, fragrant Mandala.

The ragas symbolise, like a flower threaded sheet, intricacies of life… and more.


Lat uljhi suljha ja balam

Piya more haath mein mehndi lagi hai

Lat uljhi suljha ja balam

Mathe ki bindiya bikhar rahi hai

Apne hi haath laga ja balam

Lat uljhi suljha ja balam

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(Translation – Disentangle my hair, dear beloved/ I have applied henna on my hands/ So come and disentangle my hair, dear beloved/ The bindiya too is spreading on my forehead/ Correct it for me with your own hands, dear beloved/ Disentangle my hair, dear beloved)

This Bandish* in raga Bihag decorates time with a jasmine-rich fragrant emotion that vehemently values love and life.


*Bindiya – a colourful dot mark worn between the eyebrows, especially by married Hindu women.

*Bandish – a composition in Hindustani classical music.


Listen to a melodious version of this bandish now.

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A shorter version.

Complement this with another melodious post – Amir Khusrau and the Mustard Flowers


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