True! – NERVOUS – very, very dreadfully nervous I had been – and am; but why will you say that I am mad? The disease had sharpened my senses – not destroyed – not dulled them. Above all was the sense of hearing acute. I heard all things in the heaven and in the earth. I heard many things in hell. How, then, am I mad? Hearken! And observe how healthily – how calmly I can tell you the whole story.
A secret that punctures a heart, a heart that still beats, alive, yet unsure how, in a delirium reveals the secret to all. In Edgar Allan Poe’s short story, The Tell-Tale Heart, such a secret is shared with us.
Such a secret troubles the main character in the story and he begins simply by narrating it, gripping us first by raising our curiosity and later by force.
That is, a psychological force… for we are always free to get up and leave the old man’s dark room, but oh, we don’t. We hear and fear it as scene after scene unfolds.
Tension rises, our noble heart beats, not only because we suspect something horrible, truly tragic, but also because we recognise it…
We recognise the inexplicable rage, the feverish mind, the parched bond and the morbid thought that although residing in the backdrop knows well how to make itself heard.
Edgar Allan Poe’s poetry and prose often create a fantastical mysterious world where distinctly, incessantly the human mind tries to rein in something, something… where failure leads to a twist and success to a debacle.
His characters mock the world and oneself with equal fervour, pretending nothing at all, confessing the truth blatantly and leaving the readers with a secret.
I think it was his eye! yes, it was this! One of his eyes resembled that of a vulture – a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees – very gradually – I made up my mind to take the life of the old man, and thus rid myself of the eye for ever.
A flower knows not much/
Or knows too much – ‘cause just see/
How it blooms, dies, blooms.
A storyteller, following the ancient tradition of cave chroniclers, standing in vrikshasana (the tree pose) on a hill top (it is sunny, but windy), breathing in and out stories (relishing it all, but at times overwhelmed), declares animatedly that she will continue to – tell stories, share rare story gems, and connect with the pacy universe while also keeping the website ad-free.
Big thanks to my readers. Stay tuned!
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Chiming Stories (formerly Home Chimes)
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Gabbeh, the 1996 film, is a simple tale of a gipsy girl, her clan and the way their life goes on. Unfolding beautifully just like an artist painting a canvas, Gabbeh quietly touches the grand questions.
Godard… Breathless and Alive
A Tribute to Jean-Luc Godard, the Film Philologist who Reinvented Cinema.
Arthdal Chronicles is a South Korean fantasy drama TV series that takes us back to the Bronze Age in a mythical land named Arth, where different human species and tribes struggle to be on the top of the power pyramid.
Yes fly! For walking on the second track is dull and usual, but dreaming high, high, high requires tools. Tools like the right pair of shoes, a chirpy, gritty soul that eats butter-jam dreams, a soul that drinks milky-milky creams.
Universe’s a Disciplined Place
Silver cascade shimmering the night sky, music to the waves and surreal beauty to the eyes, the Moon loves the art of discipline.
It may be difficult to believe for the Moon’s splendour defies time, it stupefies the clock, it follows the path of a dreamer, but how could this be possible if the Moon knew not discipline?