Folklore

The Sun, The Moon, The Earth

Poems

Phases: A Collection of Poetry

A phase is defined as any stage in a series of events or a process of development; while we all go through different phases in life, at times we either forget to notice or simply become fearful of transitions, inadvertently being ignorant about the fact that this phenomenon is universal. In this short poetry collection, the blogger has attempted to capture this subtle yet powerful phenomenon – phases that are observable in every journey undertaken.

Here are the next three poems –

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All hail the majestic fiery sun! Hail, hail!
[Source – Pixabay]

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The Sun

Glorious in this self-sacrificial act,

The sun spins silently on its spot

With an eye open and an eye closed,

Partly seeing the planetary drama and

Partly observing its blind burning core,

Loving-living the old eclipsing folklore.

Never out of tune or shying away

From that routine rotating pathway

As if in meditation and at peace,

Granting us our lives at lease.

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We assume Time is standing still

Because of our sun’s steady will.

It is but a phase like the earlier ones

Where life played a different game and had won.


Moon-lover one, waiting for moon lover two.
[Source – Pixabay]

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The Moon

Like a wave gushing its way through

The barriers and entering our hearts,

The Moon loves playing the darts,

Winking, listening and inspiring like a true

Poet in practice, moonlight as ink

Together the moon-lovers drink.

Such is the friendship between the seekers

And the moon; safekeeping promises and secrets,

Along with a lonely soul’s rising hope

Of fulfilling a decorated dream and Co.

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And this personification of moon into a friend

And a secret keeper, holding hands till the end

Is another phase, another image of the moon;

Quiet, calm, disciplined, it’s coming out soon.


The awesome dancers, all hail the trio! Hail, hail!
[Source – Pixabay]

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The Earth

On a great grand gargantuan pilgrimage,

Orbiting its way, the same old and unique,

Transforming, adjusting with every coming phase,

Our Earth, our only home, this blue-green maze,

Gravitationally inclined, time-space bound,

Nurtures with freedom the beings found

Inhabiting its being, its vision, its dream;

Rhythmically revolving, rising, but never asleep,

Timed its timing with Time, the Earth

Listens earnestly, abiding by the unknown.

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How forgetful are we, who are just a phase,

A passing reality on the way to its pilgrimage…

We appear to be short sighted and too eager

To conquer the unconquerable, our planet, our nurturer.

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Abracadabra On This Independence Day

Book Review

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Who what am I? My answer: I am the sum total of everything that went before me, of all I have been seen done, of everything done-to-me. I am everyone everything whose being-in-the-world affected was affected by mine. I am anything that happens after I’ve gone which would not have happened if I had not come. Nor am I particularly exceptional in this matter; each ‘I’, every one of the now-six-hundred-million-plus of us, contains a similar multitude. I repeat for the last time: to understand me, you’ll have to swallow a world.                                              

Midnight’s Children, Salman Rushdie

  

[Source – Wikipedia]

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A deluge of emotions, of past eras, of destined ends, of old knots, of shared hopes, of what is remembered and forgotten, of the less and the more, Midnight’s Children is a fantastically chronicled piece of magnificent writing.

It’s indeed like swallowing a whole world, with all its shades very much alive, which then settles and dwells within.

Nothing is left unnoticed, not even the dust, which covers everything, every surface, smooth or quiet, elegant or wasted; a glance that speaks volumes in seconds, a sweet fragrance that reminds of childhood holidays, a dream that knows no boundaries, a feeling of connection with history, with past present and future, an immortal bond, no, nothing is missed out.

Or is there? If it is then this makes it nothing but more human. From the very beginning, it’s not a book, but Saleem Sinai, the person that you get to know closely, brazenly, truly.  

Midnight’s Children is as magical as reality is and as real as history tells magic is and historical in a magically real manner that truly shows the reality as magically as possible keeping in mind and yet breaking the rules of history.

Indian folklore, the oral tradition allow one to fully believe in this midnight’s magical tale. Born in a momentous time period, Saleem’s future gets tied to his country, to history.

And right here, we get ready for, by default, a dramatic turn of events – it is all implausible, but nothing that our Mahabharata and Ramayana aware mind cannot follow. An epic journey heightened by allegorical twists and unprecedented turns is delightfully accepted by us.

Midnight’s Children is surely a unique experience that could be matched only if you meet Rani of Cooch Naheen holding a silver spittoon, inlaid with lapis lazuli, who then asks you to try the paan-eating and spittoon-hittery or if you get a chance to talk to any of the midnight’s children or if you hear Jamila Singer singing or of course, if lucky, you meet the Buddha.

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[Source – Good Reads]

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I have a second-hand print of Midnight’s Children that my brother bought in Kolkata; it has the appearance of a lone traveller, with a green tin trunk, that now wants to tell the tale of its travels. I’ll keep returning to it, for it is magical.

With Midnight’s Children, the Booker of Bookers’ prize winner (1993), said the critic VS Pritchett in the New Yorker, “India has produced a great novelist… a master of perpetual storytelling.” Absolutely true! 

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[Source – Notion Press]

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On this Independence Day, I think of the magnificent Salman Rushdie and the wonderful Midnight’s Children and that why Salman Rushdie faced life threats and had to leave India and settle abroad…

For how long will the celebrations of Independence go on? After the freedom from British Raj, what about the freedom from inequality? Inequality, thanks to the establishment, has been established everywhere in the world – the black versus the white, the book versus the idol, the rich versus the poor with the middle ones playing seesaw – still it doesn’t mean that it should continue.  

Respected Salman Rushdie Sir, you, writing in a foreign land is far better than you in India in doubt. The fantasy and macabre lovers that we earthlings are, stories will alone survive; it is definitely the most needed art form in every century.

Your stories, much-awaited, have and will cross boundaries that physically might not be possible for you.

Thank you in general. And if you happen to meet the Midnight’s Children anytime soon, please ask them to do some abracadabra.


The one eyed magician won!

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