Standing next to the giant old tree, its static presence made Saami sombre, more and more.
He cried, “Saami is now one with the rigid, rough and-and dead, yes, dead and gruesome tree bark, Saami has turned into this tree bark… O, but why?”
Resting against the tree now, now hugging the tree and mumbling, Saami stared into nothingness blankly, quietly. He opened his fist – a flint stone chip, equally dead he thought – and started ripping off the bark once again.
“Saami sees it all, Saami knows the limits, Saami’s dungeon is different from theirs, but… it’s all the same”, he announced in pain.
The twittering yellow bird, the prancing butterflies, a distant lullaby, the pesky kung-fu crickets’ funny civil war and the red flowers’ bold stance, Saami turned a blind eye to it all.
Even the crickets stopped their civil war to enjoy the rain and the rainbow that day, but not Saami.
“Fools! Saami knows the pattern, Saami knows hope and destiny are always stuck in a traffic jam, and love…”, said Saami two hours ago.
“Love… love coloured Saami’s world black… black is the absence of all colours… black reflects no light… Saami lives in darkness”, he completed the sentence just when the fireflies lit the jungle.
Some rested on his head and hands, but Saami refused to greet them.
With a dry look, sullen eyes and tired limbs, Saami spoke for the last time, “dead, static tallness, this soulless tree bark hates Saami, this is the death penalty, and the most terrible because Saami is not tied, Saami can move, Saami knows, but not anymore, for Saami has become one with this giant numb stubborn treeeeeeeeeeeeeeee…”
Saami spoke for the last time because the lovely, joyous and calm tree’s branch took hold of Saami’s tired body and pulled him up-up-up… in a gushing blast of speed, suddenly music broke Saami’s heart-heart-heart… ta-rum-pup-pup-paa came the sound and immediately replaced it with a musical hub-dub sensation of a heart.
*
The lead singer-cum-dancer-cum-poser. [Image by Roy N from Pixabay]
From the top-most branch of the tall lovely tree, Saami could see melodic colours and no darkness, nothing was static for the entire jungle and the river and the wind and the sky and the stars and the moon and the sun (together) danced to the twee peppy tune – and equally soothing, thought Saami – that the animal orchestra was playing.
Every animal – jamming freely – sitting on the top of some tree just like Saami… Saami who started clapping, swaying along and tip-tap-toeing in the air.
The tall lovely tree finally spoke, “Saami, yoi-knowi-da-cosmic-i-dance-sO-‘ell”; Saami was seen blushing brightly before the curtain was drawn.
Waiting to take a stand, sitting comfortably, letting the waves cover with silt our body, mind and soul, we continue waiting, living.
Glaring caustically at the silt, we regurgitate pompously.
Unable to cross the maze, we burn the walls down, unable to touch the sky, we pull it to the ground.
Waiting for them to distinguish between the truth and hearsay, to dust off our earnest intentions, to demystify our vision, we humbly stretch and wait.
In waiting for an autonomous lustrous life, we steadily pass by, dulling our society.
C. P. Cavafy, “a Greek gentleman in a straw hat, standing absolutely motionless at a slight angle to the universe” (as per his friend E. M. Forester), wrote the poem “Waiting for Barbarians” in 1904, juxtaposing the past with our modern thoughts, superimposing the ancient image on the now, yes the now, swiftly jolting the reader from slumber and questioning “this wait”.
*
Aren’t they coming!?
Neigh, neigh!
The leaders in ancient Greece, the poem shows, await desperately, in static opulence, for the Barbarians to come and take over everything and to begin mending every disaster, but when they don’t come, the city dwellers are aghast as now they will have to tackle problems and take decisions on their own.
And so the free individual, waiting for an external source to revitalise the life, takes a dip in the bright, glittering mirage, dreading, complaining, ignoring, barricading, adjusting all the while, and refusing to end “the wait”.
The hero is in hiding, asleep, has forgotten or has been brainwashed because only that could explain the hero’s silence; the dead silence is complementing the darkness ostentatiously.
And no surprise, right? This darkness is overwhelming, too huge, so vast, damn cruel, heartless/soulless, steady and conniving that the heroes have all locked themselves up in the epics, legends and myths.
Dejected and weak they have turned their backs, criticising the critics, they hopelessly work to earn a living, measuring their quiet success every fiscal year, waiting for the golden retirement when they will finally wake up… or maybe they will not.
Regina Spektor is calling out to all the heroes to wake up, rise and fight, to accept the responsibilities of actions they so unconsciously take, to wage a war against inequality one little step at a time.
*
Listen to Apres Moi before reading further –
*
I (uh) must go on standing You can’t break that which isn’t yours I (uh) must go on standing I’m not my own, it’s not my choice
Be afraid of the lame, they’ll inherit your legs Be afraid of the old, they’ll inherit your souls Be afraid of the cold, they’ll inherit your blood Apres moi le deluge, after me comes the flood…
Regina Spektor
Revolutions, the downfall of monarchies, totalitarian leaders, genocides… mankind’s history is a presence in the absence, it is ever-looming, reminding us of the foundation on which we are now building smart castles (with Alexa or Google Nest Hub or the gadget you prefer).
Apres moi le deluge is a French phrase that means ‘after me, the flood’ and is attributed to Louis XV of France; one of the explanations suggest its nihilistic connotation that says, ‘Ruin, if you like, when we are dead and gone’ and the other links it with Halley’s comet and the impending French Revolution of 1789.
Here, Regina Spektor talks about the far-reaching presence of history and how we cannot ignore it for long.
She sings a few lines of a Russian poem when reaching the crescendo; it is a poem by Nobel laureate Boris Pasternak, titled ‘February’ –
Black spring! Pick up your pen, and weeping, Of February, in sobs and ink, Write poems, while the slush in thunder Is burning in the black of spring.
An intense song that resonates across and holds your thoughts, it seems as if the song is urging us folks to stand up against the odds without delay, asking us folks not to mellow down.
Listen to Us –
*
They made a statue of us They made a statue of us The tourists come and stare at us The sculptor’s mama sends regards They made a statue of us They made a statue of us Our noses have begun to rust
We’re living in a den of thieves Rummaging for answers in the pages We’re living in a den of thieves And it’s contagious And it’s contagious…
Regina Spektor
Thieves are untied clandestinely, inconspicuously, invincibly, heartily like no other group on this planet, working religiously, solely for their profit.
The one charismatic, luring fact, among other things, is the freedom they give to every individual thief, showing no concern for each other, but keeping a check and standing in solidarity if the deal is profitable.
Regina Spektor rightly diagnosed this behaviour as contagious; the song is giving a warning, it is a reminder. Wake up dear heroes, at least to rub off the rust on your noses.
Listen to Small Bills –
*
His destiny was just too big to spend So he broke it into smaller bills and change By the time he’d try to buy the things he needed He had spent it all on Lucy’s and weed and He had spent it all on chips and Coca-Cola He had spent it all on chocolate and vanilla He had spent it all and didn’t even feel it…
Regina Spektor
May the heroes win the peculiar, surreal, boorish individual battles that they are fighting again and again and again.
Listen to Hero –
*
Hey, open wide, here comes Original sin (Vrrr) Hey, open wide, here comes Original sin
Listen to this song when the sky is orange-pink, dimly twinkling, armouring up for the dark night; listen to this song when the sky is whitish-blue, brightly warm, breathing lightly, gently healing the hero.
Now a clear dot… now hazy… mixing with the clouds through and through, then beaming alone gloriously. Splattering moony clay, then rubbing it, greasing with it the deep dark sky.
Mirroring all the romantics and dream-talkers, the moony clay moulds itself to fit into the beholder’s eyes and patient hearts. It listens, nods and registers its reply with the artist.
Moony clay – an assiduous storyteller, slowly moving away – happily builds the wavy waves and like a sand clock shows the slipping time its way.
Singing joyously, dancing leisurely, the moony clay creates and fills the heart with hope, lost in splendour.
See how it re-shapes, re-writes its journey, certain of uncertainty in knowing… in knowing it all.
Those childhood days gone by, gone by in playing, playing hide and seek, ice-water and cycling, cycling all day long like a crazy fool and laughing, those childhood days gone by eating candies and ice creams, hopscotching and skipping ropes, flying kites, strolling aimlessly, gazing at the sky, merry minds flying high, those childhood days are now a dream.
I remember, I still do, Aru and I were sitting, Pinti was roaming around as always; Aru was talking non-stop, sharing one of her charming stories, a feature film story I must mention – our protagonist, a little girl, the best detective in the town, begins her quest, she is looking for some stolen bright precious stones – we paused the story and went to play hopscotch with Pinti, she had re-drawn the rectangle-y pattern for us, sweet Pinti, we talked and played, then followed the clouds, just when we were about to get hold of the moody clouds, they turned and shouted, “peek-a-boo.”
We screamed and ran back, but could not out-do the rain bullets. And then… then we guffawed and danced in the rain, I remember.
Those childhood days gone by were full of dreams, dreams of the future, pocket full of adventure and sweets and joy and endless playtime… those dreams were of the future, a hidden gold chest…
Through those dreams we time travelled and blushed, knowing well that we have to wait a bit before we discover this treasure… we treasured the future and waited.
Those childhood days gone by, what a sweet melody… the future we still dream of, what a happy idea…
And what is left is the present, this very moment – quiet, true, rudely true, factual and boring, but euphoric if grasped and powerful enough to change everything, the past as well as the future.
Take the golden thread I say, take it and chart the course, know that it will not break for it is tied to you, you of the past and you of the future.
Mirai is a Japanese animation film written and directed by Mamoru Hosoda.
A truly beautiful and emotional film, it is a must-watch for it is a piece you need to get hold of to solve this jigsaw puzzle called life. It is beautiful!
The dragon thought she was dreaming. Image by Lilawind from Pixabay
While walking through the green pastures, the valley of colourful flowers, the dragon suddenly found herself in the desert where the scorching sun stroked her, burnt the sand, splashed mirages everywhere…
… when a strong stroke of warm air tossed the dragon off the ground reminding her that she has wings, which she then fluttered, crossing a gush of gold dust, she closed her eyes for a wink of a second and the world around her changed…
… as she saw the sky-scraping waterfall in front of her, amazed she thought am I dreaming, but did not wait for the answer and plunged towards the waterfall, shouting in joy and adding to its rhythm.
Oh, dragon you are so lucky, here the winters never seem to end and when it does, it is followed by another winter.
Who is asking for the spring? It will be a blessing if I see autumn.
Oh, autumn! The ocean of orange leaves crumple and swirl in my mind all the time, but what I see is the dry hypnotised land, grey and white, and dark and mossy.
Why cannot I be the witness of a twist in my story?
The dragon soared into the air; neither the hail nor the lightening could stumble her once, and crossed the clouds, the drumming music muffled soon as the lush rainbow appeared in full gusto.
You have got wings dragon, probably that is why you can bring twists in your story.
Ah! I have been walking since that cloud burst forced me to leave my hideout and I am still walking. The path I took glistened with frost and I fell twice.
Rough stairs took me up the mountain and just where I stopped to rest, I saw some dandelions dancing, happy about something.
When I smiled with them I was reminded of a wish and at the same time, the rising wind whispered a message, overwhelmed I resumed my journey, my story.
*
Happy, dancing dandelions. Image by DaphoGo from Pixabay
The flowers are ambitious by nature. Image by Marisa04 from Pixabay
Gori knows not where the path leads to, the wet air, the dusky flora, and the mysterious tunes do not guide either.
Soaking in the newness she walks forward.
And why is it that we always choose to walk ahead, why does not the uncertainty collapse us?
If we stop to rest, if we feel defeated, if we turn back embarrassed and ashamed, we still reach, in some time, at the glorious hour of a beginning.
The tired, wounded, and sullen eyes once again look up, once again fathom the depth, once again find the path.
Taking the rope bridge, climbing the echoing mountains, crossing the glassy rainbows, Gori saw that valley where her loved one awaited her.
The gush of wind cheered her, the dew heavy leaves blessed her, the clouds played the drums for her.
And why does it seem that the whole world dances when we dance and the whole world moans when we moan?
How come we hear the call when there is a concrete silence around us, when facts dispel hope and when dejection raises a toast?
In anger the head is alone, when rejoicing the heart holds it all.
The illusion rudely reveals the reality and Gori faces the brazen cold marshland.
What happened to the beautiful valley, to the lover’s promise, to the perfect dream? Hush! The monster rises, its shadow darkens Gori’s faith.
Thundering sky strikes with lightening that Gori catches with her bare hands. Heaving, she runs towards the monster.
Why is life so epic, so grand, so ambitious? Why do the storytellers talk about ‘once upon a time’?
If the legends appear amused by the mundane, then how many of us are at folly for it is the ordinary that becomes extraordinary?
The tales have never ceased to be melodious, we live perpetually enchanted.
Gori starts walking, leaving behind the triumphant air, gravity shining on her forehead.
She resumes the journey as a narrow track becomes visible to her now, a solo night jasmine tree on the way, showers her with its flowers, Gori takes its fragrance along.
Gori knows not where the path leads to, soaking in the passionate silence she walks forward.
Are the night jasmines very ambitious to wait for and shower a victorious warrior and not anyone else? Yes, they are.
When choosing my flower’s colour /
Blindly I pick all – the sun decides /
Which one suits me more.
Greetings!
A storyteller, following the ancient tradition of cave chroniclers, standing in vrikshasana (the tree pose) on a hill top (it is sunny, but windy), breathing in and out stories (relishing it all, but at times overwhelmed), declares animatedly that she will continue to – tell stories, share rare story gems, and connect with the pacy universe while also keeping the website ad-free.
Big thanks to my readers. Stay tuned!
Also, a humble request to the new subscribers to check the spam folder after subscribing. Silly (but necessary) confirmation emails often land there instead of the bright inboxes. Merci!
Ya-hoy!
Chiming Stories (formerly Home Chimes)
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Gabbeh, the 1996 film, is a simple tale of a gipsy girl, her clan and the way their life goes on. Unfolding beautifully just like an artist painting a canvas, Gabbeh quietly touches the grand questions.
Godard… Breathless and Alive
A Tribute to Jean-Luc Godard, the Film Philologist who Reinvented Cinema.
Arthdal Chronicles is a South Korean fantasy drama TV series that takes us back to the Bronze Age in a mythical land named Arth, where different human species and tribes struggle to be on the top of the power pyramid.
Yes fly! For walking on the second track is dull and usual, but dreaming high, high, high requires tools. Tools like the right pair of shoes, a chirpy, gritty soul that eats butter-jam dreams, a soul that drinks milky-milky creams.
Universe’s a Disciplined Place
Silver cascade shimmering the night sky, music to the waves and surreal beauty to the eyes, the Moon loves the art of discipline.
It may be difficult to believe for the Moon’s splendour defies time, it stupefies the clock, it follows the path of a dreamer, but how could this be possible if the Moon knew not discipline?
In this moment, I am a little bit of this and a little bit of that, I am complete and incomplete, I am pleased and uncertain, I wish for nothing and I know I have to wait.
Because the distance covered reminds me of the hurdles I have crossed and the ones I could not, it reminds me of a throbbing past and a dreamy future and it reminds me of how much time is left.
Meredith and the Green Lake
Illimitable Splendour
A joy so complete without any rise or fall, so free without any time corners, so real without true being false, false being true.
